10 Steps of Illustrating Ellie and Her Emotional Dragons

A behind the scenes look at my process of illustrating the children's picture book Ellie and Her Emotional Dragons written by Joseph Goodrich.

The project begins:

1. Manuscript cut up into text dummy

2. Thumbnails and exploratory sketches

3. Character development

I love drawing dragons and so this project was particularly fun since it has FOUR of them! And I just had to create Ellie as an elephant, and since the four dragon's colors match up to emotions, blue, green, red and orange, that lead me to a purple elephant. Plus, I love purple.

4. The painting splattering begins

After developing characters and getting approval I did this rough color sketch to establish my basic color palette. I didn’t end up using this spread, but it still holds a special place in my heart.

First color study to establish my palette

"I am speechless.  And there are only a few times in my life where I remember being moved to tears (of joy). Marines usually have a tough time with showing emotions. This is PERFECT!  Exactly what I was going for. I have accomplished many interesting and challenging feats in my life but this has to be at the top for one of the most proud accomplishments.  Thank you for helping me make Ellie and her Emotional Dragons a reality!

~Joseph Goodrich, author

I tried a new painting process born from my experiences with #paintplay which I started when I got Procreate on my iPad Pro. I use the Apple pencil sometimes and my finger a lot too. Over the last couple years, I’ve been pushing my color palettes (#colour_collective) and loosening up my style. I finally had a chance to put this experimenting to the rigorous test of illustrating a full picture book.

I've always loved the idea of splatter painting, but never had the courage to let loose and do it. Until now. I love how paint splatters encourages the imagination and how shapes emerge and inspire the next step of painting. There’s such energy and playfulness. I loved breaking out of confines of my previous painting style. It helps also to have the freedom to paint on the couch, or comfy chair, in bed, or up on the roof in the garden — Even at my nephews graduation from High School. Shhh. (They announced like 1000 students. Yeah, huge.)

5. Just keep painting

I worked on all of the spreads in stages. I couldn’t finish just one since I was still figuring out what finished was. It drove my business partner (who is also my husband) crazy that I didn’t finish at least one piece so he could see where I was going. I didn’t even touch the cover until I thought I was sort of, maybe, kind of, a little bit close to the final of one of the spreads. They’re never really done for me until I’ve sent the final file and the book is in print and even then I’m afraid to look at the printed book for fear of hating what I did.

I’m happy to say in this case that — well, in pretty all my picture books, I’ve never hated what I did. I always see ways and things I could have done better, but I think that’s a good thing. That means I’m growing, developing and always exploring and getting better — or at least different and hopefully … ugh, this word — marketable. I’m not a trend chaser, but I have been trying to freshen up my style.

I digress.

Meanwhile back on the drawing board...

6. Finalizing the art

Once I figured I was reasonably finished, I transferred the files to my big Magic Machine Mac and opened them all in Photoshop where I finalized details and cleaned up some of the splatter using my Cintiq. I did at least one or two more rounds (some spreads more than others) to finish and polish and make sure I had consistency with the characters (her hair butterfly), nose lines, clothes colors, etc. I had a long list I made sure to check off as well as character pages for quick reference.

I didn’t do the cover until the very end when I was satisfied with the style and knew what I was shooting for at the finished level. Originally I had a different cover in mind, but this image spoke to me and begged to be the cover, and then I had to add the neighbors (read to book to find out why) next to them on the back cover.

I was happy with the family, the houses, the neighbors and trees and turned in this one.

Something is missing...

Can you see what’s missing from the final cover?

Dragons!

Sometimes I think too literally, and I figured the dragons would be waiting for Ellie in her bedroom closet since that’s where they exist — they’re magical. I was going to have them out on the balconies and in the windows of the house, but that just didn’t work. I had to shake logic loose. These are dragons. They’re her friends. They should be front and center, same as the family.

7. Publication

The dragons added a fun pop of color to the front. Which the folks at Wisdom House took and ran with when designing the cover with the playful and colorful type to bring together an appealing cover that hopefully will draw attention and pull readers in to enjoy Ellie’s story in learning to deal with her emotions with the help of her colorful dragon friends.

I hope you enjoy this touching story. It was a joy to illustrate. I would love to hear what you think of my process or feel free to ask any questions.

If you'd like to hire me to illustrate your book, please check out my post on Hiring an Illustrator and please contact me.

8. Official Release

November 16, 2018 was the official release date and Ellie and Her Emotional Dragons is out in the world!

Ellie and Nali, @2018 Traci Van Wagoner

9. Buy it Now

Buy it now :

Amazon

Barnes & Noble

Joseph Goodrich

©2018 Traci Van Wagoner

10. Reveling in the great reviews

I'm very happy to say that Ellie and dragons are getting a lot of great attention, including a star review from Kirkus Review (see the review).  And several great reviews from Readers' Favorite.

"What an absolutely enchanting story! I fell in love with the artwork from the first page. The illustrations by Traci Van Wagoner are just fantastic, done in a style I have never seen before. The ink spatter style gives sweeping movements and is filled with energy, and I felt myself being carried along by the events. Young readers will be swept up into this tale by becoming visually engaged. There is so much to discover in each brightly colored panel, including subtle references to the colors of the little dragons."

~ Fiona Ingram for Readers' Favorite

I will share more great news in a separate post, so stay tuned.

Thank you for joining me here and celebrating my creative journey along with me. I'd love to hear what you think of this book that helps children learn to deal with the emotions. Feel free to share.

#process #kidlitart #releasedate #bookbirthday #EmotionalIntelligence

Getting the Job

Since my picture book, The Mermaid's Gift written by Claudia Cangilla McAdams is hitting the shelves this month from Pelican Publishing, I thought I'd share a series of posts giving you some background to the book and how it came to be, starting with the interesting way I got the project in the first place. Well, I hope you think it's interesting anyway.

I have to admit I was hesitant at first (many years ago now) to join in the FB craze (as well as other social media), but I'm glad I did. One day as I was scrolling through different feeds with a variety of FB groups, and I came across a post in Children's Book Illustrations by Kevin Johnson, AD at Pelican Publishing, looking for an illustrator. I was like, oh, cool, a possible illustration job. I shared it on my timeline and then went back to the current project since I had spent up all my social media time for the morning.

An hour or so later, my husband was doing his morning read through on the iPad when he shouted up at me, "Hey, what's going on with this illustration job post?"

I responded with an, "Oh yeah, I saw that this morning, but I haven't done anything about it."

Frankly I was a bit jaded to the possibility of this being a real job since I've been working on Elance and most of the picture book jobs on there are a joke with the writer only wanting to pay $200 or so to illustrate a full book. But my husband urged me to get on it and send an email at least.

So I did. I introduced myself, giving my schpill about my experience and passion for children's books, a rundown of the way I work, links to my online portfolios, followed up with a closing paragraph about how excited I am about the title and the possibilities. I still wasn't holding out much hope of this being a real job. Like I said, a bit jaded.

I was happy that I finally finished a mermaid painting a short time before, so I sent that along with a few other samples.

He responded later that day with a very positive note and said he'd pass along my samples. Good news. Now, I was letting some excitement leak in. Hey, like my blog title says, celebrate the little things.

The next day I got another email saying the publisher liked some of my samples, but still wasn't sure I was right for this project. She wanted to see more natural colors and realism.

She likes the style that you use on the image of the mermaids on the rocks but she doesn’t want the whimsical colors for this book she want’s things to look natural. The sky blue, the mermaid’s hair a natural color, etc.

She asked if you could provide a sketch of two characters from the book since she wanted to see if you could do what she wanted. So, I was back to being a bit disappointed. That jaded part of me again since so many jobs I'd pitched on over the last year, they wanted free samples to prove I could do what I said I could do. That's what a portfolio is for, dang it! But I did understood since they wanted to make sure I could do a bit more realistic than many of the samples I'd sent which leaned to more stylized characters. I emailed that I would try to fit in the time to do some sketches over the weekend and also expressed my concern in doing this and hoping it would put me on short list. Kevin assured me it would and that he really wanted me to work on this book.

So, I did, and this is what I sent on Monday morning.

I crossed my fingers and went back to work on another project with a tight deadline. I tried not to think about, but you know how that goes. Every few seconds Oooh, maybe I'll get that mermaid book. How fun would that be?
  
 Wednesday afternoon I got an email back. "You're in!"

Yay! Happy dancing.

And that, ladies and gentlemen, is how I got the job for The Mermaid's Gift, written by Claudia Cangilla McAdams. Thanks for listening.

For your convenience, I've included links to where you can buy my book online and also a link to the really cool book trailer.

Available at:
Barnes and Noble
Pelican Publishing
Amazon


Book Trailer