Tameka's New Dress Cover Reveal!

Ta da! I'm happy to be able to share with you all the final cover for Tameka's New Dress written by Ronnie Sidney II, illustrated by me, Traci Van Wagoner, and designed by my husband and partner, Kurt Keller. This is a touching story and has been a very interesting book to illustrate. I wanted capture the mood and progression of Tameka's self-confidence growing throughout the book with my colors, leading up to her getting her beautiful new and colorful dress as you see on the cover.

Tameka's New Dress by Ronnie Sidney II, illustrated by Traci Van Wagoner

Book Summary

When you’re the new girl in school it can be a little scary. It’s even tougher when your parents aren’t there to help. Some of the kids might be friendly but what about that mean girl who’s always picking on you? The author brings up the subjects of childhood trauma, parental substance abuse, kinship care and bullying with a gentle touch suitable for even the youngest children. Tameka's New Dress shines a light on these tough things and lays them out on the table to talk about. He also presents us with a strong girl in Tameka, who not only finds adults who can and do support her, but also finds a way to confront her bullies without becoming a bully herself. Real tips for real life situations are presented here – just what real little children need - a great addition to the library shelves.


Tameka's New Dress is the second graphic novel in the Nelson Beats the Odds series.

To preorder your copy visit http://www.creative-medicine.com/tameka-s-new-dress.html


About the Author

Ronnie Nelson Sidney, II, MSW was raised in Tappahannock, VA, and attended Essex County Public Schools (ECPS). While attending ECPS, he spent several years in special education after being diagnosed with a learning disability. The stigmatization of special education created a lack of interest in school. Nevertheless, he graduated from Essex High School in 2001, but with a 1.8 GPA. With limited options regarding four-year colleges, he enrolled at J. Sargeant Reynolds Community College in Richmond, VA. The following year, he transferred to and completed studies at Old Dominion University, in Norfolk, VA. After several years of hard work, he was awarded a Bachelor of Science degree in Human Services in 2006.

Ronnie's early academic challenges ignited a passion within him to pursue social justice and to work with youth. He has spent over eight years in the mental health and academic counseling fields and currently works as an outpatient therapist at the Middle Peninsula-Northern Neck Community Services Board (MP-NNCSB). Ronnie is an active member of the Richmond Association of Black Social Workers (RABSW). He founded Creative Medicine: Healing Through Words, an expressive writing program for offenders. He implemented the program at the Northern Neck Regional Jail in Warsaw, Virginia for six months before expanding the program into an LLC. The company's mission is to improve participants' social, emotional, and physical health through therapeutic writing and dialogue. For more information, visit the author's website at www.creative-medicine.com. 

Behind the Scenes
 
And now, some of my illustration process for creating the cover art.

pencil sketching

Two sketch versions

Final sketch

Final cover art

To see more of my artwork and some sneak peeks of interior illustrations for this book, follow me on Facebook and visit my website to see more of my art and more books I've illustrated.

Thank you for visiting. I hope you have enjoyed my creative journey with creating Tameka's cover, and I hope you will buy the book and share in her journey as well. I would love to hear your thoughts about the book, about my process, or about your experiences that are similar to Tameka's.

The Making of The Mermaid's Gift: My Illustration Process

A behind the scenes look at the making of a picture book

Color me excited! My new book, The Mermaid’s Gift written by Claudia Cangilla McAdams and published by Pelican Publishing is out and about in the real world. So I thought I'd share my illustration process for this book as a fun introduction for anyone who hasn't bought it yet. (Don't worry there are links at the end for where you can get your very own copy.)

A version of this post can be found on Dani Duck: Artist Obsure as part of Smart Dummies.

After illustrating eight picture books and creating five dummies for my own manuscripts, each a bit of an experiment, I’m happy to say that I finally feel like I have a pretty good system worked out.

Quick read through 

This quick read through opens my mind to the world of the story. I then let my imagination explore the possibilities without any limitations to specific pages or scenes. The process from first contact to contract takes a long time, so this story had a long time to percolate.

Reference research

Pinterest is a ton of fun for this. I set up folders for each project and collect images for reference and inspiration. In this case, colorful Burano, Italy (look it up on Google. If you’re feeling blue, this place will perk you right up); lace, lots and lots of lace research; historical photos of Burano and the lace museum there. I even used Google Earth to walk around the island.

Character sketches 

I work out clothes, hair styles, facial features, culture, and age. I sketch the main characters from a variety of angles, different facial expressions, moods, emotions, keeping mind the need to keep the main characters consistent throughout with the same clothes, hairstyle, facial features, eye colors, etc.

Text Dummy 

I print out the manuscript and break it up into 16 sections. I fold 9 sheets of legal or ledger paper in half and staple them in the middle with a special stapler I bought years ago for this purpose. I cut up the text and tape each section in its spread roughly where I think it might go, telling the story with the text — one chunk for the entire spread, or broken up with some on the left and some on the right. Since Mermaid is a retelling and set in the 1800s, I decided to go with a classic feel, keeping the text in blocks, but incorporating them into the illustrations. I played around with borders and copy blocks, but dropped that in the final sketch stage.

Brainstorm Scenes 

Blue sky thinking with my husband bouncing around ideas about the overall look, world, setting, perspectives, angles, pov, lighting. Playing with the best way to illustrate each scene adding to the story in unique ways. For this book I really wanted drama, which I achieved with lighting, angles, and unique perspectives.

“I love your boldness in composing the pages. Many illustrators are timid about the interplay between form and function, and your work is like a breath of fresh air.” ~ Johanna Rotondo-McCord, Artist.

More reference research 

This stage is pretty much ongoing and so much easier now days. I remember the days of having to go up to the reference library on 42nd street to get images. For this project, I did a lot of lace research — patterns, tutorials, various types of lace, designs, styles, materials, etc. I think that all paid off since I have had many people ask how I created the lace, and have complimented me on the beauty and realistic feel of the lace.

Thumbnails

With sketchbook and ballpoint pen, I roughly block out the scenes I have bubbling in my imagination after the brainstorming session. With this project, I established a sort of zig-zag pattern through the spreads, leading the eye through the story with a variety of spots, full spreads and text placement that would keep the eye moving how I wanted.

Sketch Dummy 

Sketch and explore scenes building on initial rough thumbnails. My ink sketches are rough at this stage. I scan those, clean them up a bit and print each spread as close to actual size as I can. With marker paper, several good ol’ #2 pencils, and a kneaded eraser, I set to work creating the final detailed pencil sketches. Marker paper is see-through without needing a light box, but not as smeary as tracing paper. I scanned those sketches and put them together back in their spreads. I cleaned them up, made pngs which I made into a pdf and emailed it to the AD. He came back to me with only a few revisions.

Value and Color Thumbnails 

I made a contact sheet in Photoshop of the sketches on an 11x17 document. I added a layer with my paper in a gray tone, creating an overall stormy feel. A second layer for value, establishing mood, and a third layer for color studies. I created a limited palette, keeping in mind the stormy feel of the story and moving to a light and happy feeling in the end.

“You have perfectly captured the moods of the various scenes, giving the story "life" in your depictions of the throwing of the fishing net, the ferociousness of the storm at sea, the mermaid's creation of the lace, and so on.” ~ Claudia Cangilla McAdam

Final Painting Begins

I paint in Photoshop with my own brushes, textured papers, and color palettes, plus a ton of layers. I could do a whole-nother post about the ups and downs of finishing a full book. There were days I thought I was brilliant, and days when I felt like a total fraud with no right to get to draw and paint for a living. Every book has this stage no matter how much I’ve learned and grown and figured out what I’m doing.

 

Finish the Dang Thing Already 

And then comes the finishing. This may be the hardest of all stages for me. I have a resistance to finishing things. I don’t know why. That’s just the crazy way I am. One night my husband told me to sit and finish one at a time. I had the final highlights and finishing touches and fixes and whatnots to do. When I finished one I’d shout it out. I was reward with a DING-DING-DING and a compliment of some encouraging sort. Then it was back to the next one.

I finally finished them and sent them off to the Art Director. The end result: A love fest with my art, and an offer for another book. Cody and Grandpa’s Christmas Tradition written by Gary Metivier. Stay tuned for updates on that project.

Thanks for reading my long ramble.

Live, laugh, and learn!

Book Trailer

Now, as I promised, The Mermaid's Gift is available at:
Barnes and Noble
Pelican Publishing
Amazon

Getting the Job

Since my picture book, The Mermaid's Gift written by Claudia Cangilla McAdams is hitting the shelves this month from Pelican Publishing, I thought I'd share a series of posts giving you some background to the book and how it came to be, starting with the interesting way I got the project in the first place. Well, I hope you think it's interesting anyway.

I have to admit I was hesitant at first (many years ago now) to join in the FB craze (as well as other social media), but I'm glad I did. One day as I was scrolling through different feeds with a variety of FB groups, and I came across a post in Children's Book Illustrations by Kevin Johnson, AD at Pelican Publishing, looking for an illustrator. I was like, oh, cool, a possible illustration job. I shared it on my timeline and then went back to the current project since I had spent up all my social media time for the morning.

An hour or so later, my husband was doing his morning read through on the iPad when he shouted up at me, "Hey, what's going on with this illustration job post?"

I responded with an, "Oh yeah, I saw that this morning, but I haven't done anything about it."

Frankly I was a bit jaded to the possibility of this being a real job since I've been working on Elance and most of the picture book jobs on there are a joke with the writer only wanting to pay $200 or so to illustrate a full book. But my husband urged me to get on it and send an email at least.

So I did. I introduced myself, giving my schpill about my experience and passion for children's books, a rundown of the way I work, links to my online portfolios, followed up with a closing paragraph about how excited I am about the title and the possibilities. I still wasn't holding out much hope of this being a real job. Like I said, a bit jaded.

I was happy that I finally finished a mermaid painting a short time before, so I sent that along with a few other samples.

He responded later that day with a very positive note and said he'd pass along my samples. Good news. Now, I was letting some excitement leak in. Hey, like my blog title says, celebrate the little things.

The next day I got another email saying the publisher liked some of my samples, but still wasn't sure I was right for this project. She wanted to see more natural colors and realism.

She likes the style that you use on the image of the mermaids on the rocks but she doesn’t want the whimsical colors for this book she want’s things to look natural. The sky blue, the mermaid’s hair a natural color, etc.

She asked if you could provide a sketch of two characters from the book since she wanted to see if you could do what she wanted. So, I was back to being a bit disappointed. That jaded part of me again since so many jobs I'd pitched on over the last year, they wanted free samples to prove I could do what I said I could do. That's what a portfolio is for, dang it! But I did understood since they wanted to make sure I could do a bit more realistic than many of the samples I'd sent which leaned to more stylized characters. I emailed that I would try to fit in the time to do some sketches over the weekend and also expressed my concern in doing this and hoping it would put me on short list. Kevin assured me it would and that he really wanted me to work on this book.

So, I did, and this is what I sent on Monday morning.

I crossed my fingers and went back to work on another project with a tight deadline. I tried not to think about, but you know how that goes. Every few seconds Oooh, maybe I'll get that mermaid book. How fun would that be?
  
 Wednesday afternoon I got an email back. "You're in!"

Yay! Happy dancing.

And that, ladies and gentlemen, is how I got the job for The Mermaid's Gift, written by Claudia Cangilla McAdams. Thanks for listening.

For your convenience, I've included links to where you can buy my book online and also a link to the really cool book trailer.

Available at:
Barnes and Noble
Pelican Publishing
Amazon


Book Trailer

 

Good News -- The Mermaid's Gift

I am thrilled to share the news that I have been contracted by Pelican Publishing to illustrate a new picture book, The Mermaid's Gift by Claudia Cangilla McAdams. I'm very excited to be involved in helping to bring this story to life. Here is a sneak peek for you.

The Mermaid's Gift is a legend of a hungry village who received the gift of lace from a mermaid.


The woman of the village of Burano use the mermaid's gift as a pattern to create their famous and beautiful lace.


I've really enjoyed picking up a pencil again to sketch out this book. I usually sketch in ink, but for this book, I want a more realistic feel with moody undertones and pencil worked best. I am looking forward to painting. I will be painting these in Photoshop with my own paper, textures, and brushes. I love being able to use my traditional media training to paint on the computer. Stay tuned to see the progress of this book which is due out in the fall of 2015.